My Town Monday - Toronto's Grand Opera House and Ambrose Small
In 1874 on Adelaide Street West, west of Yonge Street, the Grand Opera House opened in Toronto, Ontario. Designed in the Second Empire-style with 1,750 seats, it featured gaslights that could be switched on or off simultaneously with one electric switch. The Grand Opera House’s staged the nineteenth century’s best-known performers: Maurice Barrymore, Sarah Bernhardt, Sir Henry Irving, soprano Emma Albani and the Italian baritones Giuseppe Del Puente and Antonio Galassi.
In 1879 a major fire killed a stage-carpenter, his wife and infant daughter. An article in the New York Times on November 30, 1879 covered the details.*
Despite being restored and reopened after each fire, the Grand Opera House fell into neglect with the arrival of vaudeville in the 1900s and the modern vaudeville theatre, such as the Loews and Winter Garden Theatres on Yonge Street.
In 1919, the Grand Opera House was involved in the widely reported criminal investigation of the disappearance of the then owner, Ambrose Small. Small had deposited a cheque for a million dollars in a nearby bank, and went missing later that day. Prior to his disappearance, Small had a reputation in Victorian Toronto as a gambler, was in the habit of booking less reputable, more titillating shows to his string of theatres, including the Grand Opera House. The newspapers published every known detail of the police investigation into his disappearance, and soon it was revealed that Small had kept a secret sex room at the Grand Opera House, where he entertained numerous mistresses. The scandal further tarnished the Grand Opera House's standing in a straight-laced city.
The story of Ambrose Small has resurfaced many times only to be laid to rest after the police officially closed the file on December 14, 1960 wherein it is reported they destroyed the Ambrose Small file.
In the interesting account of “The Disappearance of Ambrose Small: Case Closed” a producer of a television documentary proposal for History Television discovered an important document written in 1936 relating to the case. OPP Inspector Edward L. Hammond, the lead Provincial investigator in the case, summarized the Ambrose Small investigation from start to finish, including the names of the suspects and motives in his report. Hammond accused the Toronto Police detective, Austin Mitchell, of “orchestrating a deliberate cover-up.” Hammond’s report contradicts the official report released by the Ontario Attorney General on their Special Inquiry into the disappearance of Ambrose Small wherein it exonerated Theresa Small of any involvement in the crime. Hammond states in his report that “Ambrose J. Small…was the victim of a cunningly and well-conceived plan in which Mrs. Theresa Small his wife was the prime mover, and further more, I believe that she was actually present when her husband was murdered for there was no question, that she “knew all along, from that very day of his disappearance, as to what had happened to him also that John Doughty her husband’s secretary was one of the murderers too…”
I suspect the major reason this particular case was covered up was that Ambrose and Theresa Small were leading socialites in Toronto. The initial investigation was put on hold for two weeks as the police hesitated to call on Mrs. Small whose family was considered powerful and well connected. A note to consider is Inspector Hammond’s report was dated 1936, a year after Mrs. Small died in 1935.
The Grand Opera House was demolished in 1927 and the site is now occupied by the 68-storey Scotia Plaza in Toronto’s Financial District. The only reminder is a small lane running south from Adelaide Street West, named ‘Grand Opera Lane’.”
UPDATE: Here is a movie review for SLEEPING DOGS LIE based on the Ambrose Small disappearance:
"SLEEPING DOGS LIE * * setting: Ont./USA. (1999) Wendy Crewson, Joel Keller, Leon Pownall, Michael Murphy, Eric Peterson, Shawn Doyle, Leslie Yeo, Shannon Lawson, Art Hindle, Cedric Smith.....A private eye (Keller) becomes embroiled in the mystery surrounding the disappearance of theatre impresario Ambrose Small in the '20s when he's employed by the millionaire's wife (Crewson). Fact-based (or, at least, fact-inspired) made-for-CBC TV suspense-drama suffers from unappealing characters, thin characterization, and a failure to really create the murky mood of conspiracies and paranoia that it's trying for. Crewson is badly miscast as a (cliched) femme fatale and baby-faced Keller's "decent" hero is a thug who beats up protesters and slaps women around -- ironic, since he's a fictional construction and so could have been written as a much more sympathetic (and fleshed-out) figure. It wants to be "Chinatown" more than a sleazy, true-crime-drama, but doesn't pull it off. Ironically, by playing Small's disappearance as a straight crime-thriller, it loses some of the eerie -- even supernatural -- flavour that probably made the case so notorious to begin with. sc: Raymond Storey (from the book The Strange Case of Ambrose Small by Fred McClemment). dir: Stefan Scaini. - violence, sexual content.- app. 90 min"
Reviews tend to be one sided and after viewing the trailer, I decided to purchase it.
Sources: Wikipedia = http://en.wikipedia.org/wiki/Grand_Opera_House_(Toronto) http://en.wikipedia.org/wiki/Ambrose_Small http://www.russianbooks.org/small.htm [*]Fatal Fire in a Theatre; The Toronto Grand Opera House Destroyed, New York Times, page 7, November 30, 1879.